Skip to main content

Virginia Woolf, WI Treasurer


I recently read an excellent book called “Square Haunting” by Francesca Wade. If you’re interested in London between the wars and women who flaunted society rules to live the life that they wanted, this is the book for you. The book focusses on five different women, all of whom lived in Mecklenburgh Square at some point. The most famous of those residents was Virginia Woolf, and it covers both her time in the square and in the village of Rodmell, where she was to take her own life in 1941.

The book reveals that when she was living in Rodmell, Virginia was a frequent visitor to her local village hall. This was because, quite surprisingly, she became a member of the Women’s Institute. It would be easy to imagine that she would see herself as being above such things, and perhaps occasionally she did get frustrated.

We’re acting village plays; written by the gardener’s wife, and the chauffeur’s wife; and acted by other villagers.”

Wade makes reference to Virginia’s diary entry about the above activity:

“My contribution to the war is the sacrifice of pleasure: I’m bored: bored and appalled by the readymade commonplaces of these plays: which they can’t act unless we help.”

However, despite her boredom, she continued to be involved in the running of the WI and became Treasurer.  We all like to feel useful, never mind from what lofty heights we see ourselves descending. I found the following newspaper clip from the Sussex Agricultural Express in the British Newspaper Archive:



Rodmell Village Hall still exists and has its own website. 


Unfortunately it looks as though it has been rebuilt since Virginia’s day, so we can’t imagine her wearily entering the front door, ready for another wartime night of amateur theatricals.



Comments

Popular posts from this blog

Woods Ware China at the Serving Hatch - The Book!

I have now put together a book to accompany this blog, featuring all the best bits and much more besides, about the development and use of village halls over the past century.  It costs £1.29 for a Kindle download and £3.99 for a printed version.  Here's the blurb: "Enter any village hall and look at the noticeboard. The range of activities taking place these days is enough to keep anyone entertained. Cinema evenings, keep fit classes, scouts, Women’s Institute, St John’s Ambulance, lunch clubs, support groups - all keeping the physical and spiritual on the straight and narrow. Where would we be without the village hall? What a marvellous innovation, and one that seems to grow in importance as we realise that we have lost sight of community somewhat, and need to nurse it back to life. You might, if you were in a particularly philosophical mood while hanging around the vestibule, wonder where and how it all began." English village halls have been a fixture of our lands...

Dixon of Fingers Green

In what could be the script from a gentle BBC comedy of the 60s or 70s, the village policeman triumphed at the horticultural show in a small Kent village.  The local bobby walked away from the Village Hall with 11 out of 14 prizes. A cub reporter from the local rag dared to ask the green fingered P.C. if he talked to his blooms, to which the answer came: "No." He was encouraged to elaborate: "Talking to them, singing to them, music, that's all a lot of tripe. There's no substitute for hard work. You have to treat them like children, water them and care for them." I suppose he's right. There are similarities. Both flowers and children are prone to infestations of little creatures. And they never quite turn out how you expect, but sometimes you're lucky. Have a look at my novella for more vintage gardening fun

Bogarde's Beginnings

Village halls played a part in the early careers of many actors – some of them becoming world renowned. Who knows just how many household names first got a taste for the luvvie life at the local amateur dramatic society. Dirk Bogarde was certainly one of them, because he wrote about his experiences at Newick Village Hall, near Lewes. Dirk’s mother made the acquaintance of a Mrs Cox, whose husband was said to own the village hall. Dirk became good friends with the Coxs’ daughter and the family took to him, allowing him to indulge his teenage ambition of becoming a playwright. He wrote, and starred in “The Man on the Bench”, supported by Nerine Cox.   It was performed around the time that Nazi Germany had marched into Austria – but a sparse audience with a lot on their minds nevertheless received it well. Mr Cox offered Dirk his first leading role shortly afterwards with the Newick Amateur Drama Society – Raleigh in R.C. Sherriff’s “Journey’s End”. “It was a tremendous ...